The indigo tones that often appear in Judy Watson’s work are carriers of her family and ancestral memories, while the ochre symbolizes connections to land and blood. She is a descendant of the Waanyi people of Northwest Queensland, Australia. Her matrilineal Aboriginal history and her family’s images of women form an important wellspring of creative inspiration in her work. The Waanyi are known as the “running water people.” Water is not only a symbol of life but also a carrier of memory, which is why it is a frequently recurring theme in Watson’s work. Watson’s creations are tied together by individual and collective memory, through which she continuously explores the persistence and echos of identity and historical memory.
Watson layers her pictures with graphic elements such as maps, temperature curves, and land contours. Water pollution, watershed loss, and soil erosion are the pathways through which she perceives climate change, and an important medium in her response to colonial violence. The “spine” and “standing stone” motifs that emerge in her works refer to sacred forms and parts of the body, symbolizing the transmission and resistance of Indigenous cultures, and with a monumental permanence, assert that the ghosts of colonial history have never receded.
This exhibition is organized by Assistant Curator Gao Liangjiao and Associate Curator Wu Yiyang at the Aranya Art Center.
Chen Ruofan

Botanical Bank: 54 Objects Transplanted
2023
Stainless steel, LED, video
400 × 400 × 400 cm
55:92 min.
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
Robert Mapplethorpe

Self Portrait
1981
Silver gelatin print
58.5 × 61 × 3.2 cm (framed)
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project
© Robert Mapplethorpe Foundation. Used by permission.
Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Seoul
Haegue Yang

Migratory DMZ Birds on Asymmetric Lens - Duiitt Duiitt Vessel (Gray-Backed Thrush)
2020
Soapstone, 3D printed resin
158 × 89 × 147 cm
Installation view, aranya plein art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of the artist, Galerie Chantal Crousel, Paris
and aranya plein air art project
Christine Sun Kim

A Permanent Tourist In A Foreign Language
2023
Inkjet printing on stainless-steel sign post
225 × 150 cm × 7 parts
Commissioned and produced by aranya plein air art project 2023
Installation view, aranya plein air art project
July 7th to October 29th, 2023
Photography Sun Shi
Courtesy of aranya plein air art project